I document the imperfect emotional changes that occur over time within various relationships and work to find resolutions to fundamental questions.

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We all inevitably form relationships as we navigate life with different individuals. However, for me, emotional friction with others has often led to discomfort, which then manifests physically, evolving into anxiety, fear, and stress. Yet these emotions remain unresolved as time passes. This is why I create—to seek resolutions for these emotions. As I contemplate my inner feelings, there are moments when elements of daily life seem to overlap with the essence of my emotions. For example, peeling an onion layer by layer raises the question of what the true form of the onion really is. Similarly, when the paint on the exterior of an old building peels away, revealing the concrete underneath, I find myself in a state of confusion, unable to determine what is real. Confronting such inner chaos, I strive to express my emotions through the act of creation.

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Emotions that arise from within begin to leave traces through gestures on the canvas.

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For instance, when painting with my hands, I start by using my entire hand. However, as I become more attuned to my emotions, I exert pressure through my fingertips, creating rhythms and waves. When I become deeply immersed in my feelings, I naturally begin to use my nails—the sharpest part of my fingertips—resulting in clearer and more defined lines. Through the layering of these gestures, I distort forms and emphasize movement and rhythm. Additionally, I employ different methods to disrupt form—not just through lines but also through surfaces. For example, I sometimes use the edge of my hand to wipe away previously applied paint. This blurs the boundary between presence and absence, inducing a sense of confusion about what is essential.